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Film Police!
About us
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We are experienced in managing and coordinating location shooting. We know how to stretch your budget to make your production look great! Call, email or write us: FILM POLICE! Chicago, IL 60618-1528 TEL: (773) 463-4010 email: info@filmpolice.com "Film Police" "We Serve and Project" and the Film Police logo are registered trademarks of Koch/Marschall
Productions, Inc. site content copyright MMIV-MMVIII Koch/Marschall Productions, Inc. All rights reserved
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Film Police provides production management services, crews and equipment for television shows, feature films for such clients
as the Discovery Channel, HBO, the BBC, CBS, NBC, ABC, PBS, The Travel Channel, The Food Network, The National Network, (TNN),
McDonald’s, Kraft Foods, and numerous other Fortune 500 companies. Recent Clients: TNN, "Pop Across America" cable talk show; BBC/Travel Channel "World’s Spine-Tingling
Sites"; Discovery Channel, "The New Detectives" TV series; BBC "Tribute to Michael Caine" with Sean Connery (also director);
"And One" TV commercial w/Bobby Knight; Gore Campaign spot w/Jesse Jackson; BBC "The Hunt" documentary series BBC science TV series "The Weather" |
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Frequently Asked Questions (FAQs)
FAQs for Film Police How much does a budget cost? Do I have to pay residuals on talent? I only need a couple of things in the U.S. and I have a really small budget. What can you do? What about visas to come to the United States? If you’re based in Chicago, why should I hire Film Police for a shoot in Florida, or Texas, or anywhere? Because we have more experience and we’re better than anyone in Florida! Our philosophy is to service your needs
and save you time and money in the process. We shoot all over the country quite a bit. Film Police knows who to use for
everything, and we have accounts with the best vendors. Your bottom line price will be met and you’ll have a better
time working with us. I hear it’s expensive to shoot in Chicago? Not true! Most production resources are about the same as you’re used to paying in other cities in the world. There
are many opportunities for saving money in Chicago if you know where to find them; and we do. Film Police has negotiated rates
with many hotels and equipment vendors. Police assistance is modest and so are the filming permits. These savings (and
many others) are passed on to you. Paying exceedingly close attention to detail also enables us to work with smaller crews,
thus stretching your production dollar as far as it can go. Can I shoot in Chicago with a non-union crew? I have a project with multiple locations, some are in the middle of nowhere. How would you handle this? We can move a film crew by train, plane, automobile, or pack mule. Whether your locations are in the mountains, the desert,
an island or an urban jungle. Film Police knows what to pack and how to get it there.
"I have always had this great fear -- it’s a nightmare really -- that as I was about to shoot something artistic
and daring but completely illogical and cinematically incorrect, two large men in white helmets, jack boots, sunglasses and
black leather uniforms would march on the set just as we’re about to shoot and announce to a hundred people, "Stop,
this is the FILM POLICE! You can’t do that!" One of them would turn off the electrical power switch, everyone would
stop what they’re doing, pack up their equipment and go home. I would be terribly embarrassed and humiliated and the
FILM POLICE would arrest me for crimes against art and cinema! The FILM POLICE! They’re out there! I’m not afraid
of anyone, not studio heads, egotistic agents, big stars, network execs, or even lawyers but the FILM POLICE! They scare
me! I know they’re out there!"— From an interview with a famous director who wishes to remain anonymous. Why FILM POLICE!? What does FILM POLICE! mean? Is there really a bunch of Film Police running around? No! OF course not
and that’s the point. There should never be a bunch of Film Police running around. Film Police is a response to various
measures to restrict and limit artistic freedom and creative expression, and misdirected attacks on filmmakers and the filmmaking
community. Film Police believes that the artistic community should be self-policing. Filmmakers are by nature self-critical.
Film Police believes that filmmakers will voluntarily categorize their work as restricted to certain audiences rather than
a government agency arbitrarily limiting the audience to certain "acceptable" artistic works. We named our company FILM POLICE!
as a tongue-in-cheek name so no government agency or official could use it for control and censorship purposes! FILM POLICE
is a registered trademark of Koch/Marschall Productions, Inc. THE FILM POLICE! We’re out there!
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