Film Police!
About us













Home | Film Police on set! | Favorite sites | "The American Flag" PBS Program | Favorite Films | Favorite Film Books | Short stories by Film Police personnel | About us





"The American Flag" PBS documentary
johnschultzjoecostello.jpg
John Schultz photographed by Joe Costello

Joe Mantegna, David Mamet, Jack Wallace 2004
joemametjack.jpg
Photography by Steven Elkins Copyright 2004 All Rights Reserved

johnapkjudger98.jpg
John Astin, Phil Koch, Judge Reinhold 'Betaville'

016c_buckinghamfntn_nght_sm.jpg
Buckingham Fountain, downtown Chicago

filmpolicem.jpg
Commercial shoot at the LaSalle Street canyon location

filmpolicea.jpg
Commercial shoot for Korea TV/LG Electronics

Filming PBS "The American Flag" in NYC
pkkatenyc.jpg
Cameraman Phillip Koch & Asst. Kate Koch

We are experienced in managing and coordinating location shooting.

We know how to stretch your budget to make your production look great!

Call, email or write us:

FILM POLICE!
4310 North Mozart Street

Chicago, IL 60618-1528

TEL: (773) 463-4010

email: info@filmpolice.com

"Film Police" "We Serve and Project" and the Film Police logo are registered trademarks of Koch/Marschall Productions, Inc.

site content copyright MMIV-MMVIII Koch/Marschall Productions, Inc.

All rights reserved

View Phillip Koch's LinkedIn profileView Phillip Koch's profile

018c_navypier_sm.jpg
We'll find the perfect location for your shoot!

nighthawks.jpg
Need an all night diner? How about Edward Hopper's?
















007c_chicagorivernorthbrnch.jpg

Film Police provides production management services, crews and equipment for television shows, feature films for such clients as the Discovery Channel, HBO, the BBC, CBS, NBC, ABC, PBS, The Travel Channel, The Food Network, The National Network, (TNN), McDonald’s, Kraft Foods, and numerous other Fortune 500 companies.

Recent Clients: TNN, "Pop Across America" cable talk show; BBC/Travel Channel "World’s Spine-Tingling Sites"; Discovery Channel, "The New Detectives" TV series; BBC "Tribute to Michael Caine" with Sean Connery (also director); "And One" TV commercial w/Bobby Knight; Gore Campaign spot w/Jesse Jackson; BBC "The Hunt" documentary series

BBC science TV series "The Weather"

 

 
















Frequently Asked Questions (FAQs)

planetarium2.jpg
A great view of the downtown skyline!

FAQs for Film Police

How much does a budget cost?
If you're looking for a rough estimate for a commercial, industrial or a feature film shoot, those are FREE and completed quickly. If you need a full feature film budget, those are priced competitively and depend upon the complexity of the script. Average feature budgets range between $500 and $2,500.

Do I have to pay residuals on talent?
If the production hires SAG (Screen Actors Guild) talent there will be residual payments based on usage. These costs can be managed by knowing specifically what the intended usage will be, so you don't commit to more than you need. If the talent is non-SAG, we work to secure a buy-out fee that fits within your budget. Buy-out fees are negotiable.

I only need a couple of things in the U.S. and I have a really small budget. What can you do?
Film Police will assist you in managing your budget and costs. Film Police has experience in working with low to high budgets and we will make sure you maximize your resources. We will structure the production according to your specific needs.

What about visas to come to the United States?
We have a lot of experience with this as many of our clients are from outside the USA. Our legal specialists arrange for work visas if they are needed, but sometimes they are not. We won't waste your time and money on anything unnecessary.

If you’re based in Chicago, why should I hire Film Police for a shoot in Florida, or Texas, or anywhere?

Because we have more experience and we’re better than anyone in Florida! Our philosophy is to service your needs and save you time and money in the process. We shoot all over the country quite a bit. Film Police knows who to use for everything, and we have accounts with the best vendors. Your bottom line price will be met and you’ll have a better time working with us.

I hear it’s expensive to shoot in Chicago?

Not true! Most production resources are about the same as you’re used to paying in other cities in the world. There are many opportunities for saving money in Chicago if you know where to find them; and we do. Film Police has negotiated rates with many hotels and equipment vendors. Police assistance is modest and so are the filming permits. These savings (and many others) are passed on to you. Paying exceedingly close attention to detail also enables us to work with smaller crews, thus stretching your production dollar as far as it can go.

Can I shoot in Chicago with a non-union crew?
We have shot many projects in Chicago with both union and non-union crews. We have excellent relationships with many outstanding, highly skilled technicians.

I have a project with multiple locations, some are in the middle of nowhere. How would you handle this?

We can move a film crew by train, plane, automobile, or pack mule. Whether your locations are in the mountains, the desert, an island or an urban jungle. Film Police knows what to pack and how to get it there.

"I have always had this great fear -- it’s a nightmare really -- that as I was about to shoot something artistic and daring but completely illogical and cinematically incorrect, two large men in white helmets, jack boots, sunglasses and black leather uniforms would march on the set just as we’re about to shoot and announce to a hundred people, "Stop, this is the FILM POLICE! You can’t do that!" One of them would turn off the electrical power switch, everyone would stop what they’re doing, pack up their equipment and go home. I would be terribly embarrassed and humiliated and the FILM POLICE would arrest me for crimes against art and cinema! The FILM POLICE! They’re out there! I’m not afraid of anyone, not studio heads, egotistic agents, big stars, network execs, or even lawyers but the FILM POLICE! They scare me! I know they’re out there!"— From an interview with a famous director who wishes to remain anonymous.

Why FILM POLICE!? What does FILM POLICE! mean? Is there really a bunch of Film Police running around? No! OF course not and that’s the point. There should never be a bunch of Film Police running around. Film Police is a response to various measures to restrict and limit artistic freedom and creative expression, and misdirected attacks on filmmakers and the filmmaking community. Film Police believes that the artistic community should be self-policing. Filmmakers are by nature self-critical. Film Police believes that filmmakers will voluntarily categorize their work as restricted to certain audiences rather than a government agency arbitrarily limiting the audience to certain "acceptable" artistic works. We named our company FILM POLICE! as a tongue-in-cheek name so no government agency or official could use it for control and censorship purposes! FILM POLICE is a registered trademark of Koch/Marschall Productions, Inc. THE FILM POLICE! We’re out there!

PBS broadcasts "The American Flag" in 2008!!
pknormanlear.jpg
Producer/Director Phillip Koch &TV/Film Producer Norman Lear

Photographed at Second City in Chicago
haroldramis.jpg
Harold Ramis interviewed for the PBS program "The American Flag"

Full name:
Email address:
Comment: